In the underrated 2009 film, Dr. Tenma turns against his creation, Astro Boy — but later has a second change of heart. Dr. Tenma creates Astro Boy as a robot duplicate of his dead son. But when he realizes that the robot copy can never replace the flesh-and-blood boy, he rejects the kid. (In the original Tezuka manga, Tenma rejects the boy when he realizes the boy can never grow up, and sells him to the circus.) In the movie, Dr. Tenma finally embraces his robot son after Astro Boy sacrifices himself to save everyone from an evil giant robot — and Dr. Tenma manages to bring Astro Boy back to life.You can read about all "20 mad scientists who turned against their creations" on io9.
Monday, September 27, 2010
A framed wooden ceiling panel sits in the press club inside the Metropolitan Police Department's Ikebukuro Police Station in Tokyo's Toshima Ward.
It shows a sketch of the heroine of Osamu Tezuka's manga "Ribon no Kishi" (Princess Knight), and a self-portrait of the artist in his inimitable style.
As the anecdote goes, Tezuka (1928-1989) drew the pictures on the panel, which measures roughly 70 centimeters by 30 cm, after removing it himself from the legendary Tokiwa-so apartment building, where he and other manga artists had once lived.
The building was torn down 28 years ago. The artist managed to rescue the board thanks to the help of club reporters.
In the top right of the panel, the artist wrote a special dedication: "For the reporters at the Gohomen Kisha Club (the press club for district 5)."
An Asahi Shimbun article on the demolition said: "(Tezuka), wearing his trademark beret, was surrounded by fans who had heard about the demolition and went upstairs to revisit Room 14, which held so many memories. As he had requested, he received wooden panels from the ceiling, which were richly imbued with the smoke from all the cooking that had gone on in that room."
The press club is one of the seven at major police stations in Tokyo. The rooms serve as bases for crime reporters.
How did a panel from Tokiwa-so end up in the press club on the seventh floor of the Ikebukuro Police Station?
Shigeyuki Koide, 59, senior staff writer at the Yomiuri Shimbun, happily recounted the events that took place on Nov. 30, 1982.
"We just happened to drop in at a ramen shop near Tokiwa-so that day," he said.
Koide was 31 and in his first year on the city news beat. After covering a fire in the morning, reporters from the press club went to the Chinese restaurant Matsuba for lunch.
After their meal, the reporters noticed Tokiwa-so covered with scaffolding, with the window frames already gone. They heard that the building was about to be demolished.
The reporters sprang into action, calling up manga artists who used to live in the apartment to get their reactions.
One reporter called Tezuka, creator of "Tetsuwan Atomu" (Astro Boy), who had lived in Room 14 of Tokiwa-so.
Tezuka said he would come down to get some of the ceiling boards. He promised to meet the reporters in front of the apartment late in the afternoon the next day.
On Dec. 1, at his office in Shinjuku Ward, Tezuka handed in 20 manuscript sheets for the manga "Hidamari no Ki" (Trees in the sun) to his editor from Big Comic magazine.
He was two days late for his deadline, and due dates for other serials were fast approaching.
But Tokiwa-so couldn't wait. Tezuka headed off to his rendezvous.
"As I waited for (Tezuka) to return, I was surrounded by angry editors," recalled Takayuki Matsutani, 65, president of Tezuka Productions Co. "I didn't want him to leave the office. Still, I wanted him to take a breather."
The manga king was about an hour late when he arrived at Tokiwa-so. He immediately went upstairs, even though the apartment was dark because the lights were removed.
In Room 14, he got on a stepladder to get at the ceiling, while reporters shone flashlights.
One asked, "Are you sure you can just tear it up like that?"
An unfazed Tezuka replied: "Don't worry. I've talked with the landlord."
He soon ripped several boards out of the ceiling.
When Koide handed Tezuka a felt-tipped pen, the artist drew the dashing Princess Sapphire, who in his famous tale pretends she is a prince to inherit the throne.
Saying, "And me," Tezuka added a self-portrait.
It was Tezuka's way of thanking the young reporters who alerted him about the demise of his special place. The reporters carried the panel back to their press club and displayed it on the locker.
The board has since witnessed more than 200 reporters at the Gohomen Kisha Club come and go, chasing down stories and learning their trade.
Shinichi Suzuki, 76, an anime artist who also lived at Tokiwa-so, compares the press club to Tokiwa-so.
"I look at it this way: Anyplace, be it a school or a company, becomes a Tokiwa-so to the people who grow up there and are successful in the future."
Monday, September 20, 2010
I can't believe I'm typing this (actually this is Japan we're talking about so nothing is truly unbelievable) but there's an event happening right now that combines the famous works of Osamu Tezuka with the modern day cute fad of "moe". The "Osamu Moet Moso" exhibition is being held at the Tokyo Anime Center in Akihabara. It opened on September 18 and runs until October 11.
Upon viewing the images above, my guttural reaction would be "Is nothing sacred?", but upon reading more, there is some reason to suggest that the concept of moe can directly trace its roots to Tezuka's influence on manga culture. It's an interesting topic at any rate, though there's something kind of creepy to me about that Astro artwork. The Princess Knight one is HAWT though.
See more pictures and information at Otaku2 and AnimeKon.
Monday, September 13, 2010
This is an actual thing, found on eBay.
Needless to say, this is probably not a licensed product. D'oh!
This bizarre and unholy fusion of Astro Boy and Homer Simpson originates in Mexico, a haven of bootlegged weirdness. There seem to be several other Homers like this, including Flash Homer, Punisher Homer, and Hellboy Homer.
Warning: May contain traces of Mexican cheese.
Anime News Network brings us another new installment of The Mike Toole Show. This column features a look at The Astonishing Work of Osamu Tezuka DVD and a complete, detailed look at all of the Osamu Tezuka anime properties that have been translated into English. Definitely an informative article and another entertaining read from Mike Toole.
Here's a sample that I particularly agree with.
Tezuka Productions would go back to the well and remake Astro Boy in 2003, commemorating both the 40th anniversary of the cartoon and the fictional "birthdate" of Astro himself. The company spared no expense in revitalizing their flagship hero; the TV series was bankrolled by Sony, and directed and scripted by the famous (and somewhat infamous) Konaka brothers.Make sure you read the whole thing right here.
Unfortunately, its western release was badly, badly bungled, featuring a gutted musical score, extensively rewritten scripts, and some episodes either omitted or shown out of sequence; the show was irregularly bounced between Kids WB and Cartoon Network before being canceled. Its broadcast run was never properly finished, although Sony did see fit to throw out a dub-only, poor-quality DVD box. Astro Boy 2003's handling by Sony is a compelling model of how not to release an anime series in the west, which is pretty frustrating in retrospect.
If you ask me, any time is Tezuka time!
Tuesday, September 7, 2010
The amazing book dedicated to the life and work of the God of Manga, The Art of Osamu Tezuka by Helen McCarthy, has been awarded with the Harvey Award for "Best American Edition of Foreign Material". Congratulations for this well deserved honor. Check out the post on Anime News Network for all the information.
In some recent happenings, Helen McCarthy's blog has a post regarding foreign language editions of the book.
Also, Brain Diving from Anime News Network has a new column that explores the book in great detail.
If you don't have this book yet, it's a must read, and you can help support ABW by purchasing it here.